Letter from Camille Koechlin to Horace Koechlin

Colour Materiality

1861

Fixing aniline violets around 1860: a European network

Marie-Anne Sarda

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Symphony in White n°1: The White Girl

Colour Materiality

1861

From Colour to Music: James McNeill Whistler

Marte Stinis

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Bookcase

Colour Materiality

1862

From old to new: the colours of William Burges’s Great Bookcase

Tea Ghigo

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Fuchsine RENARD

Colour Materiality

1858

Fuchsine

Irene Bilbao-Zubiri

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Fuchsine-dyed fibers

Colour Materiality

1859

Fuchsine and Fashion: a Bright Pinkish Trend

Alessandra Ronetti

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Kaleidoscopic colour top

Colour Materiality

1858

John Gorham’s Colour Top

Paul Smith

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Gentian

Colour Pedagogy

1862

John Ruskin and ‘the gentian blue’

Stella Granier

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Barnard's sketchbook

Colour Materiality

1855

Mary Gartside’s abstract afterlife? Blots in George Barnard’s paint manual

Alexandra Loske

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Vignette

Colour Pedagogy

1851

Mary Philadelphia Merrifield and the Great Exhibition of 1851

Alexandra Loske

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Catalogue général de la parfumerie et savonnerie Gellé frères, vers 1885.

Colour Materiality

1868

Perfumes: The Future of Synthetic Colours

Erika Wicky

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Fabric

Colour Pedagogy

1852

Persoz and the Chair of dyeing and printing at the Conservatoire des Arts et Métiers

Anne-Laure Carré

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Vue intérieure de la Sainte Chapelle 3/3

Colour Pedagogy

1851

Persoz, the birth of heritage sciences and medieval colours

Arnaud Dubois

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hirestinted venus stereo

Colour Scape

1862

The Colours of the London International Exhibition of 1862

Charlotte Ribeyrol

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Egyptian Court

Colour Scape

1854

The Egyptian Court at Sydenham

Stephanie Moser

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Joseph

Colour Pedagogy

1865

The colours of the biblical past in Owen Jones’s History of Joseph and His Brethren

Madeline Hewitson

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